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Reinventing the Camera: Pinhole Photography in the Age of 3D Printing

2024-08-01 | By Lulzbot

License: See Original Project 3D Printing

Courtesy of LulzBot

Guide by LulzBot

Worldwide Pinhole Photography Day is held on the 4th Sunday of April each year, ‎celebrating the artistry of pinhole cameras and the unique aesthetic that the technology ‎offers. One of our team members went "down the pinhole" and discovered a new hobby, ‎printing and modifying several cameras along the way. Cody, the maker who took the ‎following photos, wrote about his experience. ‎

‎Introduction

‎To anyone who owns or uses a 3D Printer, the idea of “why buy something when you ‎can print it” rings true. Truthfully, that almost never happens but, in some instances, you ‎have little to no option due to the high cost or scarcity of components. ‎ ‎

Each project has to start with a plan or an idea. This was an exception as my knowledge ‎base for the subject was non-existent.‎‎

Cameras

Modern cameras take what was once an expensive and tedious process and simplify it to ‎simply point and click. Smartphones make that process even easier since everyone ‎carries a decent quality camera in their pockets these days.‎‎

Along the way, we lost the experience and knowledge of what goes into taking a great ‎picture.‎‎

Sure, you can go out and buy a digital camera, or if you are in to film photography, a ‎vintage or antique camera. Why buy one when you can print one? ‎ ‎

camera_1

Stripping a camera down to its basics and you are left with a box with a small hole that ‎lets light through. In other words, a pinhole camera. The earliest recorded mention of a ‎pinhole camera, or "camera obscura" as it used to be called, was as early as the 5th ‎Century BC (“CS194-26: proj2”). A piece of technology from that long ago is a great ‎option to try and bring into modern times. ‎

A 3D printed pinhole camera is a great example of a project that can be done even by the ‎most inexperienced of photographers. Since it really only requires a few printed ‎components and the components that cannot be printed can be found in a recycling bin ‎or a junk pile, this makes a great weekend project. ‎

Remember when going into this project, I started out with very little knowledge but ‎luckily, I was not the first person who wanted to try this and there were plenty of paths I ‎could choose from. ‎

Of course, when you search for 3D printed pinhole cameras there are a lot of different ‎designs and options. One in particular jumped out from the rest and this was ‎the terraPin ACE Pinhole Camera, Lulzbot Edition designed by Todd Schlemmer on ‎Thingverse (as seen on the right).

camera_2

Not only was this camera perfectly themed and about as easy a design as you can get, ‎but the information and instructions for printing and building this camera were perfectly ‎laid out and easy to understand and follow.‎

I quickly found out that the enemy of any 3D printed camera is light leakage. This is ‎because many filaments, though they may appear to be opaque, will actually be a bit ‎translucent and let in a little light. I opted for black PolyTerra PLA as it comes with a ‎matte finish (will be important later) and appears to be good at keeping light out.‎

Following along with the STL print instructions, I finished up the major printed parts and ‎even modified a couple parts to continue with the LulzBot theme of the camera.‎

camera_3

Next came the actual pinhole. You can purchase laser cut pinholes to the highest level of ‎accuracy, but this project was about learning, printing, and not spending money! So it ‎did not take long to find an empty pop can and start cutting it up. ‎

The inside of a can does have a plastic coating, so sanding through that was the first step. ‎Once done I quickly found out that it can be tricky to make a hole that is 0.2mm in ‎diameter. So, following along with the guide that Todd provided on his Thingverse page, I ‎was able to take a sewing needle and some vise grips and slowly bored a tiny hole into ‎the thin aluminum. You could use something like aluminum foil as well, but I figured the ‎slightly thicker can will definitely hold up to a little more abuse. ‎

Once done, I had everything I needed to build my first camera. ‎

Now, because you want to prevent light from getting inside and shining around, you ‎want to have as flat of a surface inside as possible. So, I painted the back of the pinhole I ‎just made, and ensured that there were no other shiny surfaces inside the camera. ‎

Once assembled, I was able to pick up some 120 film and get that ready to shoot. ‎

One big part of shooting with a pinhole camera is knowing how long to keep that pinhole ‎open allowing light to hit the film within. There are a lot of different ways to figure this ‎out but using a dedicated light meter app and some information about the pinhole size ‎and film, this becomes almost trivial.‎ ‎

pinhole_4

Another thing to note from using the camera is that you need to be absolutely still as any ‎motion will simply become a blur on the image. Luckily, this was already thought of as ‎well in the design as there was a spot to mount a tripod on the camera. Another problem ‎diverted due to forward thinking and design features. ‎

Once everything was accounted for and I was ready to start taking pictures, I just went ‎out and took my time. Being film, you really need to pick your subjects carefully as you ‎can’t easily delete and try again. That picture is there whether it was good or bad.‎

pictures_5

Setting up your camera for a picture is easy enough though. Simply set up the camera on ‎the tripod, line everything up, open the shutter to let in light, and hope for the best.

‎Aligning the shots was also thought about as there are a few lines on the top and side of ‎the camera that allow you to look down and see the absolute edges of the scene that will ‎be let into the camera. Otherwise, you are just guessing and hoping for the best. (You ‎already are, but at least you have a better guess.)‎

For the size of the film and the size of the camera design, I got 16 pictures out of the roll ‎of 120 film. With the occasional shooting I did, it took about a month to really find the ‎subject matter to take 16 pictures. Within that time frame of using up that roll of film, I ‎came across another camera from Todd that makes really wide-angle pictures and I ‎guess I had more film to try so in for a penny in for a pound. ‎

‎BREAK - PART 2?

‎Named after its monstrous cousins, the Kaiju 6x18 Pinhole Gamera (yes, Gamera!) takes ‎massively wide panoramic pictures that, by its size, takes 6 cm tall by 18 cm long ‎pictures. The process for building this camera is just as straightforward as the previous ‎ACE pinhole camera, but the shape and pinhole sizes are a little different. ‎

‎Since there was to be more light passing through the internals of the camera body, I did ‎opt for painting the inside with a matte finish using some black camouflage spray paint ‎meant to prevent light reflection. Some people have used chalkboard spray paint as well ‎to get a similar effect.

spray_6‎‎ ‎

Finally, as this camera's lid was a bit larger, and held in a little less securely than the ACE ‎camera, I did line the inside edge of the lid with some black yarn to act as a sort of light ‎seal. This worked well, but I still managed to get a little light leakage that can be seen on ‎some pictures taken during really bright days. ‎

Since it takes a wide picture, the rear of the camera has a curve to allow a wider range of ‎light to shine through to the film. I was skeptical that there may be some odd artifacting ‎to the film in the form of a slight skew or stretching of the image, but that was not the ‎case. About the only artifact that is visible in the images is the far edges are slightly ‎darker.‎‎ ‎

wide_7

Once again, initial design makes using this camera very simple as well. Lines on the top ‎allow for easy positioning and image framing. But because the pinhole on this camera is a ‎little larger, pictures take just about twice as long to take than the smaller hole ones. This ‎means that the camera really needs to be sitting completely still to get the best image. ‎

Taking proper light measurements, ensuring that everything is framed correctly, and the ‎time for taking the picture is all very important because with this camera a single roll of ‎‎120 film only gets you 4 pictures! Messing up your pictures can both be frustrating and ‎costly but if done correctly, the results speak for themselves.‎‎

Now, the pictures produced by these pinhole cameras may not be the sharpest images to ‎have ever been taken, but to a lot of people that is part of the draw to these types of ‎cameras. To me, there is a unique sense of life in the pictures that is missed with modern ‎digital photography. That is because the light that forms these images on the film of a ‎pinhole camera is the very same light that we see with our eyes. It's unaltered, ‎unamplified, and unprocessed.‎

Because a pinhole camera captures these images in their raw and unfiltered form, this ‎offers a direct connection to the viewer between the scene and the captured image. ‎Whereas digital cameras will simply interpret that scene and convert the light going ‎through it into digital information and manipulate it in countless ways.‎‎ ‎

wide_8

These pinhole cameras offer a unique perspective on the world, unadulterated by the ‎layers of digital interference. So even if you have no experience with film photography or ‎have never tried your hand at using pinhole cameras, these projects might just be a great ‎opportunity to open the doors to a new hobby that pairs perfectly with 3D printing. ‎

Learn more about Pinhole Day here.‎

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